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Claude Monet Impressionist artist
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Monet was born on November 14, 1840,
in Paris, but he spent most of his childhood in Le Havre. There, in his teens,
he showed a talent for drawing caricatures, and in about 1858 he met the landscape
painter Eugène Boudin, who encouraged him to paint out of doors rather than
in the studio. In 1859, Monet committed himself to a career as an artist, and
moved to Paris. During the 1860s he was associated with Édouard Manet, and with
other aspiring French painters destined to form the Impressionist school—notably
Camille Pissarro, Pierre Auguste Renoir, Alfred Sisley ,
Berthe
Morisot
Édouard Manet
and Edgar Degas
Working in the open air, Monet painted
simple landscapes and scenes of contemporary middle-class society, and he began
to have some success at official exhibitions. As his style developed, however,
Monet violated one traditional artistic convention after another in the interest
of direct artistic expression. His experiments in rendering outdoor sunlight
with a direct, sketch-like application of bright colour became more and more
daring, and he appeared deliberately to turn away from the possibility of a
successful career as a conventional painter enjoying the support of the art
establishment.
In 1874 Monet and his colleagues decided
to appeal directly to the public by organizing their own exhibition. The press
derisively labeled them "Impressionists" because their work seemed
sketchy and unfinished (like a first impression) and because one of Monet's
paintings at the exhibition bore the title Impression:
Sunrise (1872, Musée Marmottan, Paris). Monet's compositions from this
time were extremely loosely structured, and the colour was applied in strong,
distinct strokes as if no reworking of the pigment had been attempted. This
technique was calculated to suggest that the artist had indeed captured a spontaneous
impression of nature. During the 1870s and 1880s Monet gradually refined this
technique, and he made many trips to scenic areas of France, especially the
Mediterranean and Atlantic coasts, to study the most brilliant effects of light
and colour possible.
By the mid-1880s Monet, generally
regarded as the leader of the Impressionist school, had achieved significant
recognition and financial security. Despite the boldness of his colour and the
extreme simplicity of his compositions, he was recognized as a master of meticulous
observation, an artist who sacrificed neither the true complexities of nature
nor the intensity of his own feelings. In 1890 he was able to purchase some
property in the village of Giverny, not far from Paris, and there he began to
construct a water garden (now open to the public)—a lily pond arched with a
Japanese bridge and overhung with willows and clumps of bamboo. Paintings of
the pond and the water lilies occupied him for the remainder of his life. Throughout
these years he also worked on his other celebrated "series" paintings,
groups of works representing the same subject—haystacks, poplars, Rouen Cathedral,
the River Seine , Houses
of Parliament—seen in varying light, at different times of the day or seasons
of the year. Monet continued to paint almost up to the time of his death, on
December 5, 1926, at Giverny.
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