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Douglas Carpenter on Miniature art
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Colonel
Thomas Pinckney, Jr., (1780-1842), 1801, by Edward Greene Malbone
(1777-1807), watercolor on ivory.
Gibbs Museum
of Art
One of the oldest and finest collections of miniature
portraits in the country (U.S.) is on display. The collection of more
than 500 works ranges from the earliest miniatures produced in
Charleston in 1740 to 20th century artists such as Leila Waring.
It reveals the vitality of the art form during the early decades
of the 19th century, and includes portraits by James Peale, Edward
Greene Malbone and Charleston's foremost artist of the period,
Charles Fraser. Below is an example of what is often on view.
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Mrs.
Thomas Pinckney, Jr. (Eliza Izard, 1784-1862), 1801, by Edward
Greene Malbone (1777-1807), watercolor on ivory.
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General
John McPherson (1756-1806), by Edward Greene Malbone (1777-1807),
watercolor on ivory.
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| Afternoon
Tea (A Cup of Tea, Dorothy Thomson Waring), 1923, by
Leila Waring (1876-1964), watercolor on ivory. Leila Waring
actively promoted a re-birth of this 18th and 19th century style
portraiture. While many of Waring's miniatures are of family
members, she also undertook commissions from other Charlestonians
and from visitors to the city. Her style reflects a preference for
a light palette, visual brushwork and informal poses. |
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Miniature by John Downman, A.R.A 1750-1824
Portrait of Punell Bransby Cooper aged 5
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The art of miniature painting is many hundreds of years old. The earliest
examples in the Western world are to be found in the illuminated capital letters
of ancient church manuscripts. Decorated often with pure gold leaf, these tiny
pictures showed scenes of everyday mediaeval life, scenes from the Bible, or
portraits of saints and angels.
After the invention of the printing press, the skill of the illuminators was
turned to the painting of exquisite miniature portraits for rich merchants and
royalty. These jewel-like works of art were small enough to be held in the palm
of the hand and were carried much as we carry family photos today.
With the introduction of photography in the middle of the 19th
century, the art of the miniature was in danger of being lost. However, the 20th
century has seen a tremendous increase in interest. Today there are many fine
miniature painters (and, no, we are not all vertically challenged) covering all
subjects under the sun.
he art of miniature painting is many hundreds of years old. The earliest
examples in the Western world are to be found in the illuminated capital letters
of ancient church manuscripts. Decorated often with pure gold leaf, these tiny
pictures showed scenes of everyday mediaeval life, scenes from the Bible, or
portraits of saints and angels.
After the invention of the printing press, the skill of the illuminators was
turned to the painting of exquisite miniature portraits for rich merchants and
royalty. These jewel-like works of art were small enough to be held in the palm
of the hand and were carried much as we carry family photos today.
With the introduction of photography in the middle of the 19th
century, the art of the miniature was in danger of being lost. However, the 20th
century has seen a tremendous increase in interest. Today there are many fine
miniature painters (and, no, we are not all vertically challenged) covering all
subjects under the sun.
The
art of miniature painting is many hundreds of years old. The earliest examples
in the Western world are to be found in the illuminated capital letters of
ancient church manuscripts. Decorated often with pure gold leaf, these tiny
pictures showed scenes of everyday mediaeval life, scenes from the Bible, or
portraits of saints and angels.
After the invention of the printing press, the skill of the illuminators was
turned to the painting of exquisite miniature portraits for rich merchants and
royalty. These jewel-like works of art were small enough to be held in the palm
of the hand and were carried much as we carry family photos today.
With the introduction of photography in the middle of the 19th
century, the art of the miniature was in danger of being lost. However, the 20th
century has seen a tremendous increase in interest. Today there are many fine
miniature painters (and, no, we are not all vertically challenged) covering all
subjects under the sun.
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The
Portrait Miniature in England
Reviews
Synopsis
This account of the development of English miniature painting features
masterpieces from the Victoria and Albert Museum's collection. The portrait
miniature is a unique art form with its own techniques, painters and
history. One of its greatest exponents, Nicholas Hilliard, called it
a "thing apart from other painting", and within the history
of Western art it stands as a particularly English contribution with
a flourishing life for nearly 400 years. Miniatures were painted to
be viewed and held closely, to be given away as tokens of loyalty and
love. The book offers insights into the society which allowed the art
of the miniaturist to flourish and develop, and takes a fresh look at
these delicate works, revealing aspects usually hidden from view and
details which show the techniques used by artists to achieve their effects.
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Katherine
Coombs

Availability:
usually dispatched within 1-2 weeks.
Hardcover
- 128 pages
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Johanna Casper
Lavater
His Essays on Physiognomy in the 1770s possibly
did much to stimulate interest in silhouette
art. Some of his profiles.
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Silhouettes by John Miers
(1756-1821) It
is generally acknowledged that the best know, most
successful and greatest profilist was John Miers.
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Miniature Art
A brief
look at this exquisite fine art form.
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Silhouette art
Miniature
pen and ink drawings by Douglas Carpenter, brief
history of the silhouette
craft,
some fine silhouettes.
August
Edouart
Probably
the most famous Silhouettist of all, credited with
over 3800 silhouettes.
Well known for group portraits in shadow.
Etienne de Silhouette
The French
Finance Minister from which the name silhouette is
taken. Plus four coloured silhouettes.
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